Preview from Time And Other Materials, courtesy of Aspen Film.
Join Aspen Film for a special screening of a new documentary film that features five contemporary women artists. Time and Other Materials was the official selection of 2025 LA Femme International Film Festival, a nominee of the New York Independent Art Film Fest in 2025, the official selection of the 2025 Montreal Women Film Festival, and winner of the 2026 Austin International Art Festival. The length of this film is 60 minutes, followed by a Q&A moderated by Peter Waanders, President and CEO of Anderson Ranch. Filmmaker Amie Knox will be in attendance, alongside the five Colorado artists featured in the film: Stacey Steers; Ana María Hernando; Kim Dickey; Martha Russo; and Rebecca DiDomenico.
This event is free to Intersect VIP/All Access Pass holders. Space is limited, please RSVP below.
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Produced by Chad Herschberger and Amie Knox, Time and Other Materials is a captivating exploration into the minds and hearts of five accomplished artists. Each with their unique perspective and medium – be it animation, ceramics, installation art, or large-scale sculpture – they unveil their inner worlds through a series of intimate studio sessions. This revealing documentary delves into their collective need to create and connect, not only with each other but with the broader world and beyond. Emphasizing themes such as discovery, mystery, femininity, and the vision of a better future, the film illustrates what it truly means to live a life devoted to creativity. Through five individual chapters filled with personal reflections and artistic processes, the documentary highlights the profound significance of art for both its creators and audience.
The film features the following Colorado-based artists:
Stacey Steers: Steers’ films are composed of thousands of handmade works on paper, with images appropriated from early cinematic sources to build experimental narratives inviting reflection and contemplation;
Ana María Hernando: A multidisciplinary artist, Hernando’s work explores the sacred feminine and its power, questioning the long-imposed labels of “decorative,” “inconsequential” and “superficial” that have been historically equated to the art of women. In 2024, the Red Brick Center for the Arts exhibited Hernando’s work, “My Longing Doesn’t Quiet / Mi añoranza no se calla,” with sculptural installations in Wagner Park and Rubey Park alongside recordings of her poems;
Kim Dickey: Dickey’s ceramic work explores how meaning is constructed through the objects and environments, blending psychological space with theatrical artifice to invite reverie and reflection;
Martha Russo: All of Russo’s work is intentionally obscure, presenting sculptures and installations that are just out of the grasp of language and force viewers back to a rudimentary way of collecting information, namely, through the senses and the body;
Rebecca DiDomenico: DiDomenico’s work explores the reinvention of natural environments as acts of illumination and care, reimagining fragile systems and wild spaces. She aimes to draw attention to the urgent need to protect what remains, as one would a beloved ancestor or small child.